TV Consoles

Because a media unit is infrastructure wearing furniture’s clothes, and infrastructure resists standardisation honestly. Your console must fit a specific wall and screen size, swallow specific equipment with its specific heat, pass specific cables to specific outlets, and often incorporate ventilation, shelving or drawers whose positions depend on your devices, a fixed catalogue design would fit almost nobody without alteration, so we skip the pretence and start every unit from your dimensions. The commission is not slower for it: send wall width, screen size and an equipment list, and the first proposal drawing arrives with structure, cable routes and stone options already resolved for your situation.

Through routes cut before the stone is finished, which is why the equipment list belongs in the first email. The drawing plans it explicitly: cable channels and exit points positioned for your wall outlets, cut-outs sized to your devices with clearance for connectors, ventilation apertures where amplifiers and consoles generate real heat, and open, doored or shelf-through bays depending on whether remotes need line-of-sight. Infrared and radio behaviour is considered honestly: stone blocks IR, so IR-controlled devices get open bays, mesh, or a repeater specified, stated on the drawing rather than discovered on movie night. Power routing follows your electrician’s outlet positions, which we ask for at drawing stage.

Both, engineered explicitly. Screen-on-top: even the largest domestic screens weigh a fraction of what a stone top considers a load, so the questions are footprint (the unit’s depth versus the screen’s stand) and stability, which the unit’s mass answers emphatically, a stone console does not walk or tip when a screen is adjusted. Screen-above: the console then sets the visual base line, and we coordinate heights so the screen centre lands at seated eye level with the unit’s top clearing soundbars and devices; the wall mount itself is your installer’s fixing into the wall, not into the stone. Send screen size and mounting intent with the enquiry and the elevation drawing resolves both.

Both are quoted from your specification rather than a price list, because the honest drivers are yours: overall length and depth, the internal complexity (open bays are simpler than doored and drawered storage), the stone, and delivery with the unit’s real weight. The process is the standard commission route with media-specific inputs, wall dimensions, screen and equipment list, outlet positions, producing a proposal drawing and itemised quotation together, so the first document you react to already carries a number. Lead time is stated on that quotation and runs from drawing approval. If a fit-out or move-in date governs, give it at enquiry: media walls are classic critical-path items and we plan them backwards from the date.